The Belvedere at Prinz Eugen-Straße 27 is a baroque palace complex built between 1716 and 1723 for Prince Eugene of Savoy — the general who turned back the Ottoman Empire at the gates of Vienna. The ensemble comprises the Oberes Belvedere and the Unteres Belvedere, linked by a French baroque garden offering a panorama of Vienna.
Today the Belvedere holds one of the most important collections of Austrian art and is the most famous place in the world to see Gustav Klimt's "The Kiss" (Der Kuss, 1908) — the most recognisable work of Viennese modernism. The collection also includes Egon Schiele, Oskar Kokoschka, Claude Monet and medieval masterpieces of Austrian art.
For a passenger landing at Schwechat, what counts is not only the ride itself but also the right side of the complex — Oberes (main entrance from Prinz Eugen-Straße) or Unteres (from Rennweg) — and a calm return after the visit.
The ride from Vienna Airport to the Belvedere covers about 18 km and usually takes 25-35 minutes. The route typically follows the A4 motorway towards Vienna, then the Landstraßer Gürtel, with the final approach along Prinz Eugen-Straße or Rennweg.
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It is one of the shorter cultural transfers from the airport, and the 3rd district Landstraße is less burdened by tourist traffic than Innere Stadt. Even so, with temporary exhibitions (Klimt nights, retrospectives) the area around the main entrance becomes busy in late afternoon visiting hours.
After landing, your chauffeur meets you in Terminal 3 arrivals with a name board, assists with luggage and drives directly to the agreed part of the complex. The Belvedere has two museum entrances: the main one at the Oberes Belvedere on Prinz Eugen-Straße 27, where "The Kiss" hangs, and a secondary one at the Unteres Belvedere on Rennweg 6, used for temporary exhibitions and baroque state rooms.
If you have a Kombiticket covering both palaces, the chauffeur can drop you at one and collect you at the other after the visit.
We also handle return transfers after the visit, rides between the Belvedere and Innere Stadt hotels, and onward routes to Schönbrunn or the Hofburg as part of a cultural day focused on Viennese art. A transfer to the Belvedere works well for premium guests, collectors, Klimt and Secession enthusiasts and corporate organisers using the Marmorsaal as a venue.
It should be predictable, discreet and aligned with the operating logic of a site that combines a world-class museum, a baroque garden and a prestigious event stage.